Film

Friends With Benefits

Happy belated Valentines Day, pop culture lovers!

Considering how many of you out there are anguished at/enamored with the idea of love, especially now judging by my Facebook and Twitter feeds, I figured what better time to jump in and comment on how romance is dealt with in pop-culture.

There’s not a lot of middle ground. We all know the story, the myth, of true love, of eternal love, of SOULMATES, and its hard to justify a middle-ground stance on it. It’s for you or it’s not you at all.

Discovering Fear Part 3: "Let the Right One In"

Who Is the “Right” One Exactly?

I talked a little bit in my last post about the very personal nature of the horror of transformation in “The Thing.” In that movie, even our hero cannot say “I am clearly not the monster here” and make it sound convincing. (He tries to sound convincing and… yeah, he doesn’t pull it off.)

From what I know of the genre, this is an exception to a much-commented upon rule. I feel like, as I watch more and more “conventional” horror films, I’m going to find myself stuck in that very restricting rut that makes up the morality of most horror cinema –an outside force accosts the non-monsters; if you are good (no pride, no envy, no drinking, no sex) you’ll probably survive and if you are bad, you’re meat. If you’re the monster, you’ll have your fun, but the deviance you spread will ultimately result in your demise. This is horror’s bread and butter: do no wrong and you’ll live, mostly for the sake of the audience who needs to be able to leave the theater with something to hold on to, some discernible positive direction.

Today I'm Discovering Scott Pilgrim Versus the World, and, also, Super 8

I think I know what you’re thinking. Why throw these two movies together? I mean, they’re both good, and newish, but… Aside from that? Well, for one, I saw them pretty much back-to-back over the past day, so, temporally, they’re related. I guess… But that’s not why they’re here side by side. Nope. I could have done separate posts if I wanted to, I’m not lazy. They’re side by side because, seeing them so close together, they’ve formed a thematic link in my web of cinematic memories; they’ve done it quickly, and they’ve done it emphatically.

File Under: Yes, Please! Desire Discovery! The Girl With the Dragon Tattoo

Well, now I know what I’m doing come the holiday season! Seeing “The Feel Bad Movie of Christmas.” Fincher and Reznick. Great source material. Incredible cast. I know all the remake haters are cringing at this one, but this trailer gives me full faith that this movie handles the plot of Larson’s thriller much better then the very stylish, awesome, but kind of not so plot heavy Swedish film. I am pumped.

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